The edit room
Premiere Pro and After Effects daily, Resolve for the grade. Sound design treated as half the edit, never an afterthought.
Welcome to my portfolio
I cut stories that hold attention and design interfaces that keep it.

About me
I'm a video editor with 3+ years of experience shaping raw footage into stories that actually land — reels, brand films, YouTube long-form and short-form cutdowns.
Alongside the edit, I design the things around it: thumbnails, brand kits, social systems and motion graphics that make a channel look like it belongs to someone.
I also design and prototype interfaces. Understanding UX makes me a sharper editor — pacing, hierarchy and attention are the same problem in a different medium.
Premiere Pro and After Effects daily, Resolve for the grade. Sound design treated as half the edit, never an afterthought.
Figma systems, brand kits and thumbnails. The same eye that paces a cut sets hierarchy on a screen.
Want to know how I work?
Storyboard, shoot list, edit, motion, grade, thumbnail and handoff — you brief once instead of coordinating four freelancers.
See the work
Services
From a single reel to a full brand system — every deliverable is built to hold attention, not just to look finished.
Narrative cutdowns, brand films and long-form edits with rhythm-led pacing, sound design and colour that carries the mood.
Vertical edits built for the first 1.5 seconds — hook, caption rhythm and beat-matched cuts tuned per platform.
Titles, lower-thirds, kinetic type and animated logo stings in After Effects that stay on brand across an entire series.

Thumbnails, posters, social systems and brand kits — layouts engineered for contrast and click-through, not just for looks.
Research, wireframes and high-fidelity Figma systems for web and mobile products, handed off with tokens and components.
Log-to-Rec709 conversion, matching across cameras, grain and print emulation so the final master feels intentional.
Selected work
Keep scrolling — the reel moves sideways.Swipe through the reel. Hover a clip to play it.
Outdoor apparel · 2026
A 90-second brand film cut from three days of mountain footage. Slow builds, natural sound, and a grade that keeps the snow blue.
DTC skincare · 2026
Twelve vertical reels from one shoot day. Beat-matched cuts, kinetic captions and a hook rebuilt for every platform.
Fintech startup · 2025
Animated logo sting, title system and transition pack built in After Effects, delivered as reusable templates.
Independent · 2025
A 14-minute documentary short. Interview-led structure, archival inserts and a restrained grade that lets faces carry it.
Send the raw files and the deadline. You'll get a first cut inside a week.
Start a projectTestimonials
Aakrity turned around a launch film in four days and it still felt considered. She understood the brand faster than agencies we'd paid ten times as much.
Her reels doubled our watch-through rate. She doesn't just cut — she rebuilds the hook until it works, then tells you why it works.
The rare designer who can hand off a Figma file our engineers didn't have a single question about. Editing and UX in one person is a cheat code.
Available for freelance
Got footage sitting in a folder, a brand that looks like four different brands, or a product that needs designing properly? Tell me about it.